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News articles tagged 'Illustrated editions'

First images from the ‘Prisoner of Azkaban’ illustrated edition First images from the ‘Prisoner of Azkaban’ illustrated edition

Earlier this week the cover of the Harry Potter and the Prisoner of Azkaban illustrated edition was revealed. Now, courtesy of Pottermore, we have a first look at artwork from the book. Check out new illustrations of Snape, and our first look at Azkaban prison below.

The Prisoner of Azkaban illustrated edition will be released on 3 October 2017.

Cover artwork, release date, revealed for ‘Prisoner of Azkaban’ illustrated edition Cover artwork, release date, revealed for  ‘Prisoner of Azkaban’ illustrated edition

The jacket artwork and release date for the Harry Potter and the Prisoner of Azkaban illustrated edition have been revealed. The illustrated version of the third Harry Potter novel will be released on 3 October of this year, and the jacket features the iconic purple Knight Bus.

‘Prisoner of Azkaban’ illustrated edition cover

Read our ‘Chamber of Secrets’ illustrated edition review Read our ‘Chamber of Secrets’ illustrated edition review

Front cover

The jacket artwork features the Ford Anglia flying to the Burrow.

Moaning Myrtle

Earlier this month, Bloomsbury and Scholastic published the second of seven planned Harry Potter illustrated editions. Like its predecessor, the Chamber of Secrets illustrated edition again features glorious artwork from illustrator Jim Kay.

It goes without saying, but the illustrated editions really are a work of art: J.K. Rowling’s beautifully typeset words are complemented with glorious chapter illustrations, full-page murals, character portraits, and sketches by Jim Kay.

Says Kay, “the techniques for illustrating Chamber of Secrets were slightly different to book one … I wanted it to have a slightly different feel, a different look”. In particular, the chapter opens are a little different, stylistically, to book one.

The Chamber of Secrets chapter opens feature depictions of everything from objects (Cornelius Fudge’s bowler hat, the cursed hand from Borgin and Burkes, a certain sock, and the Whomping Willow to name a few), as well as scenes like the entrance to the Forbidden Forest and the Chamber of Secrets:

Many of the chapters, particularly those that are thematically darker, are contrasted with black backgrounds, white text, and artwork that bleeds seamlessly into the chapter. It makes for a really immersive reading experience:

Harry at Borgin and Burkes

Harry arrives at Knockturn Alley: the black background, white text, and full page artwork make this a spooky passage to read.

The Basilisk in the Chamber of Secrets

The Basilisk skin lies in the Chamber of Secrets.

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Exclusive ‘Chamber of Secrets’ illustrated edition trailer Exclusive ‘Chamber of Secrets’ illustrated edition trailer

We’ve got an exclusive trailer for the Chamber of Secrets illustrated edition to share today. Watch Jim Kay talk about designing the new book below:

New image from the ‘Chamber of Secrets’ illustrated edition New image from the ‘Chamber of Secrets’ illustrated edition

Check out a new illustration by Jim Kay from the Chamber of Secrets illustrated edition — it’s the Weasley gnomes!

Chamber of Secrets illustrated edition gnomes

‘Chamber of Secrets’ illustrated edition cover artwork revealed ‘Chamber of Secrets’ illustrated edition cover artwork revealed

The cover artwork for the Harry Potter and the Chamber of Secrets illustrated edition, available in October, has been revealed:

Chamber of Secrets illustrated edition cover artwork

Jim Kay on designing the Harry Potter illustrated editions, Hogwarts castle, and scenes he’s looking forward to Jim Kay on designing the Harry Potter illustrated editions, Hogwarts castle, and scenes he’s looking forward to

Harry Potter Fan Zone recently had the chance to participate in a group interview with Jim Kay, the artist behind the gorgeous Harry Potter and the Philosopher’s Stone illustrated edition, released today.

Jim is currently at work illustrating Harry Potter and the Chamber of Secrets, but took some time out to talk about bringing J.K. Rowling’s words to life.

Jim Kay is the artist behind the Harry Potter illustrated editions

Jim Kay is the artist behind the Harry Potter illustrated editions

Always J.K. Rowling (AJKR): Were you influenced by previous Harry Potter illustrators/the films or did you veer away from both?

I’m a huge fan of both the books and the films. I thought the screen adaptations were a wonderful showcase of the best set design, product design, costume, casting, directing and acting their disciplines had to offer. I knew from the start that I’m competing to some degree with the hundreds of people involved in the visuals of the film. I remember watching the extras that come with the movie DVDs a few years back, and wondering how on earth you’d get to be lucky enough to work on the visuals for such a great project. To be offered the opportunity to design the whole world again from scratch was fantastic, but very daunting. I’d like to think that over the years lots of illustrators will have a crack at Potter, in the same way that Alice in Wonderland has seen generations of artists offer their own take on Lewis Carroll’s novel. I had to make it my version though, and so from the start I needed to set it apart from the films. I’ll be honest I’ve only seen a few illustrations from other Potter books, so that’s not been so much of a problem. I love Jonny Duddle’s covers, and everyone should see Andrew Davidson’s engravings — they are incredible!

Magical Menagerie (MM): What was the most important detail for you to get right with your illustrations?

To try and stay faithful to the book. It’s very easy when you are scribbling away to start wandering off in different directions, so you must remind yourself to keep reading Jo’s text. Technically speaking though, I think composition is important — the way the movement and characters arrange themselves on the page — this dictates the feel of the book.

SnitchSeeker (SS): What medium do you use to create your illustrations?

I use anything that makes a mark — I am not fussy. So I don’t rely on expensive watercolour or paints, although I do occasionally use them – I like to mix them up with cheap house paint, or wax crayons. Sometimes in a local DIY store I’ll see those small tester pots of wall paint going cheap in a clear-out sale, and I’ll buy stacks of them, and experiment with painting in layers and sanding the paint back to get nice textures. The line is almost always pencil, 4B or darker, but the colour can be a mixture of any old paint, watercolour, acrylic, and oil. Diagon Alley was unusual in that I digitally coloured the whole illustration in order to preserve the pencil line drawing. I’d recommend experimenting; there is no right or wrong way to make an illustration, just do what works for you!

The Daily Snitcher (TDS): Because each book is so rich in detail, what is your personal process when choosing specific images?

"You start off with lots of little ideas, and draw a tiny thumbnail illustration, about the size of a postage stamp, to remind you of the idea for an illustration you had while reading the book."

“You start off with lots of little ideas, and draw a tiny thumbnail illustration, about the size of a postage stamp, to remind you of the idea for an illustration you had while reading the book.”

I read the book, then read it again and again, making notes. You start off with lots of little ideas, and draw a tiny thumbnail illustration, about the size of a postage stamp, to remind you of the idea for an illustration you had while reading the book. I then start to draw them a little bigger, about postcard size, and show them to Bloomsbury [UK publisher]. We then think about how many illustrations will appear in each chapter, and try to get the balance of the book right by moving pictures around, dropping or adding these rough drawings as we go. With Harry Potter and the Philosopher’s Stone Bloomsbury were great in that they let me try all sorts of things out, different styles, concepts. Some I didn’t think would get into the final book, but everyone was very open to new ideas. There was no definite plan with regards to how the book would look; we just experimented and let it evolve.

Read the full article.

Check out the first image of Voldemort from the ‘Philosopher’s Stone’ illustrated edition Check out the first image of Voldemort from the ‘Philosopher’s Stone’ illustrated edition

The first image of Lord Voldemort (attached to Professor Quirrell) from the Harry Potter and the Philosopher’s Stone illustrated edition has been revealed. Check it out below!

Lord Voldemort from the Philosopher's Stone illustrated edition

Two new images from the ‘Philosopher’s Stone’ illustrated edition Two new images from the ‘Philosopher’s Stone’ illustrated edition

Bloomsbury and Buzzfeed have revealed two new images from the Harry Potter and the Philosopher’s Stone illustrated edition, due for release in October. Check out a sketch of Harry, and an illustration of Hagrid on the enchanted motorbike below.

New illustration from the ‘Philosopher’s Stone’ illustrated edition New illustration from the ‘Philosopher’s Stone’ illustrated edition

Check out a new piece of artwork from Jim Kay’s Harry Potter and the Philosopher’s Stone illustrated edition below. The illustrated edition will be available in October.

An owl from the Harry Potter and the Philosopher's Stone illustrated edition