News articles tagged 'Illustrated editions'
18 May 2018 at 02:35 GMT
UK publisher Bloomsbury today revealed the cover artwork for the new illustrated edition of J.K. Rowling’s The Tales of Beedle the Bard. The new edition is illustrated by Chris Riddell, and will be available in October.
Bloomsbury Children’s Books today reveals the cover of the full-colour Illustrated Edition of J.K. Rowling’s The Tales of Beedle the Bard illustrated by Chris Riddell. The cover brings together some of the main characters from the five wizarding fairytales in the book, including Babbitty Rabbitty and the Hopping Pot. Much loved by generations of witches and wizards since they first appeared in the fifteenth century, this beautifully illustrated edition is set to become a firm favourite at bedtime in non-magical households the world over.
Publishing on 2nd October 2018, The Tales of Beedle the Bard Illustrated Edition features show-stopping illustrations for all five tales and Dumbledore’s accompanying notes. Chris Riddell, three times winner of the Kate Greenaway Medal, bestselling author and former Children’s Laureate, brings J.K. Rowling’s text to life with beautiful ink and watercolour artwork.
Proceeds from the sale of this edition will go to J.K. Rowling’s own international charity Lumos, which helps some of the world’s most vulnerable children and young people to have a better life.
6 October 2017 at 04:02 GMT
A number of new images from the Harry Potter and the Prisoner of Azkaban illustrated edition have been revealed, which was released this week.
12 March 2017 at 02:49 GMT
Earlier this week the cover of the Harry Potter and the Prisoner of Azkaban illustrated edition was revealed. Now, courtesy of Pottermore, we have a first look at artwork from the book. Check out new illustrations of Snape, and our first look at Azkaban prison below.
The Prisoner of Azkaban illustrated edition will be released on 3 October 2017.
8 March 2017 at 01:46 GMT
The jacket artwork and release date for the Harry Potter and the Prisoner of Azkaban illustrated edition have been revealed. The illustrated version of the third Harry Potter novel will be released on 3 October of this year, and the jacket features the iconic purple Knight Bus.
22 October 2016 at 04:42 GMT
Earlier this month, Bloomsbury and Scholastic published the second of seven planned Harry Potter illustrated editions. Like its predecessor, the Chamber of Secrets illustrated edition again features glorious artwork from illustrator Jim Kay.
It goes without saying, but the illustrated editions really are a work of art: J.K. Rowling’s beautifully typeset words are complemented with glorious chapter illustrations, full-page murals, character portraits, and sketches by Jim Kay.
Says Kay, “the techniques for illustrating Chamber of Secrets were slightly different to book one … I wanted it to have a slightly different feel, a different look”. In particular, the chapter opens are a little different, stylistically, to book one.
The Chamber of Secrets chapter opens feature depictions of everything from objects (Cornelius Fudge’s bowler hat, the cursed hand from Borgin and Burkes, a certain sock, and the Whomping Willow to name a few), as well as scenes like the entrance to the Forbidden Forest and the Chamber of Secrets:
Many of the chapters, particularly those that are thematically darker, are contrasted with black backgrounds, white text, and artwork that bleeds seamlessly into the chapter. It makes for a really immersive reading experience:
4 October 2016 at 12:00 GMT
We’ve got an exclusive trailer for the Chamber of Secrets illustrated edition to share today. Watch Jim Kay talk about designing the new book below:
4 October 2016 at 09:07 GMT
Check out a new illustration by Jim Kay from the Chamber of Secrets illustrated edition — it’s the Weasley gnomes!
30 March 2016 at 22:11 GMT
The cover artwork for the Harry Potter and the Chamber of Secrets illustrated edition, available in October, has been revealed:
6 October 2015 at 12:00 GMT
Harry Potter Fan Zone recently had the chance to participate in a group interview with Jim Kay, the artist behind the gorgeous Harry Potter and the Philosopher’s Stone illustrated edition, released today.
Jim is currently at work illustrating Harry Potter and the Chamber of Secrets, but took some time out to talk about bringing J.K. Rowling’s words to life.
Always J.K. Rowling (AJKR): Were you influenced by previous Harry Potter illustrators/the films or did you veer away from both?
I’m a huge fan of both the books and the films. I thought the screen adaptations were a wonderful showcase of the best set design, product design, costume, casting, directing and acting their disciplines had to offer. I knew from the start that I’m competing to some degree with the hundreds of people involved in the visuals of the film. I remember watching the extras that come with the movie DVDs a few years back, and wondering how on earth you’d get to be lucky enough to work on the visuals for such a great project. To be offered the opportunity to design the whole world again from scratch was fantastic, but very daunting. I’d like to think that over the years lots of illustrators will have a crack at Potter, in the same way that Alice in Wonderland has seen generations of artists offer their own take on Lewis Carroll’s novel. I had to make it my version though, and so from the start I needed to set it apart from the films. I’ll be honest I’ve only seen a few illustrations from other Potter books, so that’s not been so much of a problem. I love Jonny Duddle’s covers, and everyone should see Andrew Davidson’s engravings — they are incredible!
Magical Menagerie (MM): What was the most important detail for you to get right with your illustrations?
To try and stay faithful to the book. It’s very easy when you are scribbling away to start wandering off in different directions, so you must remind yourself to keep reading Jo’s text. Technically speaking though, I think composition is important — the way the movement and characters arrange themselves on the page — this dictates the feel of the book.
SnitchSeeker (SS): What medium do you use to create your illustrations?
I use anything that makes a mark — I am not fussy. So I don’t rely on expensive watercolour or paints, although I do occasionally use them – I like to mix them up with cheap house paint, or wax crayons. Sometimes in a local DIY store I’ll see those small tester pots of wall paint going cheap in a clear-out sale, and I’ll buy stacks of them, and experiment with painting in layers and sanding the paint back to get nice textures. The line is almost always pencil, 4B or darker, but the colour can be a mixture of any old paint, watercolour, acrylic, and oil. Diagon Alley was unusual in that I digitally coloured the whole illustration in order to preserve the pencil line drawing. I’d recommend experimenting; there is no right or wrong way to make an illustration, just do what works for you!
The Daily Snitcher (TDS): Because each book is so rich in detail, what is your personal process when choosing specific images?
I read the book, then read it again and again, making notes. You start off with lots of little ideas, and draw a tiny thumbnail illustration, about the size of a postage stamp, to remind you of the idea for an illustration you had while reading the book. I then start to draw them a little bigger, about postcard size, and show them to Bloomsbury [UK publisher]. We then think about how many illustrations will appear in each chapter, and try to get the balance of the book right by moving pictures around, dropping or adding these rough drawings as we go. With Harry Potter and the Philosopher’s Stone Bloomsbury were great in that they let me try all sorts of things out, different styles, concepts. Some I didn’t think would get into the final book, but everyone was very open to new ideas. There was no definite plan with regards to how the book would look; we just experimented and let it evolve.
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19 September 2015 at 19:18 GMT