News articles tagged 'Soundtracks'
13 August 2015 at 23:02 GMT
Earlier this month, we reported that the Harry Potter soundtracks would be released on vinyl for the first time, beginning with the score for Deathly Hallows: Part 1.
Now, a vinyl release for Deathly Hallows: Part 2 has been announced. The score will be available as a double LP on special black and blue marbled vinyl, with a pressing limited to 1000 copies. The score will be released on September 28 of this year, a month after the Deathly Hallows: Part 1 release.
Alexandre Desplat scored both Deathly Hallows: Parts 1 and 2; you can learn more about his scores and the six earlier releases in our soundtracks and sheet music section.
4 August 2015 at 13:03 GMT
The folks over at New On Vinyl let us know that for the first time, the Harry Potter soundtracks will be released on vinyl. Alexandre Desplat’s 2010 score for Harry Potter and the Deathly Hallows: Part 1 is the first to be released, and will be available as a double LP, on green marbled vinyl, with a limited print run of 1000 copies.
Alexandre Desplat scored the seventh and eighth Harry Potter films, taking over from John Williams (Philosopher’s Stone, Chamber of Secrets, Prisoner of Azkaban), Patrick Doyle (Goblet of Fire) and Nicholas Hooper (Order of the Phoenix, Half-Blood Prince).
You can preorder the Harry Potter and the Deathly Hallows: Part 1 vinyl by clicking here. It will be available for shipping on 31 August. Learn more about the Harry Potter scores over at our soundtracks and sheet music section.
6 July 2011 at 13:51 GMT
Recently, Harry Potter Fan Zone, along with a number of other fan sites, spoke with composer Alexandre Desplat.
Desplat recently scored Harry Potter and the Deathly Hallows: Part 2 (he also scored part one last year).
Alexandre Desplat: You know these films are such huge machines–there’s such a huge expectation and so much pressure from the past because its the biggest series of the last 10 years–that you have to be very careful and double-check, triple-check that every note you write is accurate and fine, and you want to challenge yourself to be, if not as good, to approach the talent of the master that John Williams is, so it requires a little bit of attention. You can’t write a score of that kind in a short amount of time so you need to really try things over and over again. Also on these big machines now, the editing keeps changing and you have to adapt to that, so you need that time to be able to write properly and accurately.
Did you compose the soundtrack for Part 2 as a follow up for Part 1 or did you treat them as separate projects?
When I first was asked to write Part 1, it was not yet signed that I would write Part 2, so, unfortunately, I could not write thinking of the two episodes at the same time. However, there are still some themes of Part 1 which continue in Part 2 like what I call the “Band of Brothers” theme when all the friends reunite at the beginning of Part 1. We hear this theme again in Part 2 and also some of the themes and motifs of “Obliviate,” the thing that opens Part 2, that comes back also in Part 2, so there is some continuity.
Did you get to see the first half of the final film with your score added to it, and how did you feel about seeing everything put together?
I saw Part 1 finished a long time again, and it was great. I think the essence of what it portrayed–the sense of loneliness and a loss of childhood–were very strong, and I think it was a great first part.
Since Deathly Hallows – Part 2 was filmed way before it normally would be, did you got more time to score the film, and if so, did that affect your scoring process at all?
I think I had a lot of time to write, a very comfortable amount of time to write, because all together writing it and composing took about three and a half to four months for each episode. When you’re filming on set, you can decide on shooting all the scenes that belong to this set and then you can still change them. It’s very different with the score. I had to wait until I saw Part 2 edited to be able to start putting ideas together and try to find a sense of an arc and a dramatic sense for the film. There was enough time, and it was hard work for many months but also still very inspiring.
There are quite a few deaths in this film. Which was the most difficult to write, for and were there any that hit you harder than the others?
Death is very present in the Harry Potter story from the beginning because it starts with an orphan who lost his parents, and, actually, the theme of death is very present in this episode, since Lily, Harry’s mother, is the lead character of this episode. We start the film with hearing Lily’s theme, which will kind of ghost the film all along and be the music thread that will take us from the beginning to the end of the film. So that’s one element of death, the people that you miss, the people that you long for, the sorrow, and the question about death and the resurrection stone and how you cope with the death of the people you love. That’s very present in the themes that are used and you see it when you see the film and hear the soundtrack that I’ve tried to be very sensitive and emotional on these matters. The other side of death is, of course, also the battles, the duels, the final battle between Harry and Voldemort, and they are both fighting for death, and there’s no mercy. So I wrote some epic and lyrical pieces for these battle moments.
Desplat conducts the score to Deathly Hallows: Part 2
29 January 2011 at 04:43 GMT
I stumbled upon this video earlier today of a rather talented YouTuber playing a medley of pieces from the first four Harry Potter films on piano; it’s definitely worth a watch!
25 October 2010 at 07:04 GMT
The track titles for Alexandre Desplat’s Harry Potter and the Deathly Hallows: Part 1 score have been published online. You can pre-order the soundtrack at Amazon. A limited edition release will also be available in December.
- Snape to Malfoy Manor
- Polyjuice Potion
- Sky Battle
- At The Burrow
- Harry and Ginny
- The Will
- Death Eaters
- Ministry of Magic
- The Locket
- Fireplaces Escape
- Ron Leaves
- The Exodus
- Godric’s Hollow Graveyard
- Bathilda Bagshot
- Hermione’s Parents
- Destroying the Locket
- Ron’s Speech
- The Deathly Hallows
- Captured and Tortured
- Rescuing Hermione
- Farewell to Dobby
- The Elder Wand
23 January 2010 at 11:54 GMT
Composer Alexandre Desplat will score Harry Potter and the Deathly Hallows: Part I. While reports surfaced last year that composer John Williams would score the final two films, Desplat’s involvement in the franchise is now confirmed. It is unknown whether Williams, Desplat or another composer will score Deathly Hallows: Part II.
Recently, Desplat wrote the scores for The Curious Case of Benjamin Button and The Twilight Saga: New Moon.
Harry Potter and the Deathly Hallows: Part I will be released in November.